Rucksack (Chamber Version) Score and Parts
Rucksack (Chamber Version) Score and Parts
Monodrama for Mezzo Soprano, Flute/Piccolo, Clarinet/Bass Clarinet, Violin, Cello, Percussion, Piano
Text by Juliane Heyman
Duration: 14 minutes
An Immigrant's Story ...
As a young woman, Juliane Heyman fled from the Nazis with her family
from Danzig, Poland. She had many narrow escapes during the long
dangerous journey throughout Europe. Most of her relatives died in the
Holocaust. But she and her parents eventuallyarrived in America. She
powerfully described the emotion on her arrival..."When our boat passed
the Statue of Liberty in New York, cliché or not, it was and remains to this
day the symbol of our family’s deliverance. I was moved beyond words
and looked forward to a new life in the United States without the dangers
of the past."
Yet within a year, after successfully evading the Nazis, she was arrested by
American police! An avid hiker, Julie was exploring the Poconos
mountains in Pennsylvania with another European friend on spring break.
Police arrested them on suspicion of prostitution! Why? Because she was
hiking with a rucksack (backpack), something
uncommon in the U.S. in the 1 940s. They took her to a boarding
housethat night and all was well.
Rucksack is a 14 minute monodrama for voice and piano that intertwines
both of these stories—one harrowing, the other comical—to impart the
emotional contrast between the most brutal oppression and true liberty.
It speaks to the United States as a beacon of hope for democracy and
refuge.
The dramatic singing role incorporates speech, rhythmic speech, and bel
canto, switching between the roles of narrator, Julie,and the Police Chief.
The musical style of Rucksack alternates between a sung Americana style
for Julie's adventure in the Poconos, a style established by in the 1 930s
and 1 940s by Aaron Copland, Roy Harris, Harold Shapero, and many
others) and a spoken quasi-German Expressionist style (tritones, fourths, fifths)
for her flight from the Nazis in Europe.